Clever Clay Creations

Squidge, sculpt, squash and stamp with clay. Create a clay animal like Gainsborough's horse, make a stamp block, model a head and get messy. £2 per child and £3 per adult Includes admission to all the galleries No need to book Recommended age 3-12 years.

Megan Fishpool: Could it be Magic?

Three into one makes an image. Learn all about three very special print making techniques; Carborundum, Chine Collé and Collagraph. The course conveys ‘Omne Trium Perfectum’, three techniques that perfectly express creative ideas. Exploring a rich choice of texture, colour, layered structures and their registration, we use studio friendly products, processes and practice on this...

Giant 3-D Landscapes

Step inside Gainsborough's world and help us create a giant 3-D version of one of his paintings. Make huge people and animals. trees, grass, sky and mini works to take home. £2 per child and £3 per adult Includes admission to all the galleries No need to book Recommended age 3-12 years.

Annabel Ridley: Screenprinting with Photo Stencils

Explore screen printing with photo stencils. Work on different scales and surfaces and enjoy colour, text and image. Create an exciting visual language with mark making and layering. These techniques are compatible with digital processes and are rapid, safe and fun to use. Annabel Ridley studied at St. Martin’s and Camberwell Schools of Art. Her...

Black and White

Imagine a world in monochrome and create art works using only black, white and grey. Pop-up skylines, paper weaving, positives and negative painting. £2 per child and £3 per adult Includes admission to all the galleries No need to book Recommended age 3-12 years.

Gainsborough’s House Print Workshop at the Cambridge Original Printmakers Biennale

Gainsborough’s House Print Workshop at the Cambridge Original Printmakers Biennale 21-29 September 2018, 10.30am-5pm in the Pitt Building, Trumpington Street, Cambridge CB2 1RB Gainsborough’s House Print Workshop is delighted to participate in the Cambridge Original Printmakers Biennale 2018. We will be showing prints by our talented tutors and thank Dale Devereux Barker, Carl Borges, Peter...

Michael Carlo: Screenprinting, a Painterly Approach

Screenprinting is a most versatile and expressive printmaking technique and offers exciting opportunities for colour work. Michael does not use photographic methods, instead he specialises in working directly on screens, using his superb sketchbooks as reference. He encourages a painterly approach and demonstrates a wealth of mark-making techniques. Michael Carlo has run highly successful courses...

Peter Brown: Drawing on Lino

Explore the myriad possibilities of versatile lino on this comprehensive course. Illustrative or abstract, mono or multiblock, your project will develop from a strong basis of drawing. You will be encouraged to explore and experiment at every stage as you develop your own creative approach to produce original prints. Technical points, cutting, registration and printing,...

Heritage Open Days

Visit us for free on 6, 7, 8 and 9 September in celebration of Heritage Open Days.

Simon Edge Book Launch

Join us for an evening with Simon Edge and hear him talk about his new book 'The Hurtle of Hell' “A sparkling mixture of domestic and celestial comedy. A conflicted gay man meets his bungling creator in an ingenious take on It’s A Wonderful Life” Michael Arditti “Simon Edge has given us a creator for...

Masterpieces of 18th Century British Painting

Gainsborough's House 46 Gainsborough Street, Sudbury, United Kingdom

Gainsborough’s House is delighted to invite you to the 2nd of two special lectures, kindly given by John Sheeran in support of Reviving an Artist’s Birthplace: A National Centre for Gainsborough. John is a former Curator of Dulwich Picture Gallery, London and has organised exhibitions worldwide. He is well known in East Anglia for his...

£15

Early Gainsborough: ‘From the Obscurity of a Country Town’

This exhibition focusses on the early life and art of Thomas Gainsborough (1727-88). It explores how Gainsborough made his first steps in the art world from the inspiration of the landscape surrounding his hometown of Sudbury, through his training in London in the 1740s, to his return to Suffolk around 1748. This is a particularly...

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