• Megan Fishpool: Could it be Magic?

    Three into one makes an image. Learn all about three very special print making techniques; Carborundum, Chine Collé and Collagraph. The course conveys ‘Omne Trium Perfectum’, three techniques that perfectly express creative ideas. Exploring a rich choice of texture, colour, layered structures and their registration, we use studio friendly products, processes and practice on this...

  • Annabel Ridley: Screenprinting with Photo Stencils

    Explore screen printing with photo stencils. Work on different scales and surfaces and enjoy colour, text and image. Create an exciting visual language with mark making and layering. These techniques are compatible with digital processes and are rapid, safe and fun to use. Annabel Ridley studied at St. Martin’s and Camberwell Schools of Art. Her...

  • Michael Carlo: Screenprinting, a Painterly Approach

    Screenprinting is a most versatile and expressive printmaking technique and offers exciting opportunities for colour work. Michael does not use photographic methods, instead he specialises in working directly on screens, using his superb sketchbooks as reference. He encourages a painterly approach and demonstrates a wealth of mark-making techniques. Michael Carlo has run highly successful courses...

  • Wood Engraving with Anne Desmet RA

    Learn the art of wood engraving from a recognised expert in the field. As well as fine line engraving on end-grain boxwood, Anne will show hand burnishing on Japanese papers, printing with a press and the creative possibilities of collage using wood engraved prints and unusual printed papers. Anne is a specialist in wood engravings,...

  • Monotypes to Photopolymer with Susan Jones

    A workshop looking at the possibilities of found objects in print. Explore and experiment with Monotype, Photopolymer and Hybrid printmaking. Take unique Monotype through to a Photopolymer plate, a safe, light sensitive medium enabling both relief and intaglio from your monotypes, to create editions. A broad spectrum of technical possibilities, with plenty of scope for...

  • Etching with Jason Hicklin

    This course is now fully booked. Reserves only Exploring all aspects of intaglio etching, including softground, hardground, and sugarlift acquatint, Jason actively fosters creative results and professional practice in his popular workshop. Jason creates beautiful atmospheric etchings based on the British landscape and is an enthusiast for all aspects of etching. Trained at Central St...

  • Screenprinting with Annabel Ridley

    Explore screen printing with photo stencils. Work on different scales and surfaces and enjoy colour, text and image. Create an exciting visual language with mark making and layering. These techniques are compatible with digital processes and are rapid, safe and fun to use. Annabel studied at St. Martin’s and Camberwell Schools of Art. Her own...

  • Lithography with Colin Gale

    Lithography is often thought of as the closest printmaking technique to painting and drawing because of its direct mark-making. Working on stone, zinc plate or aluminium photo plate, the technique is taught in easy to follow stages. Students are able to work on several images during the course using their own reference. Colin directs the...

  • Drawing on Lino with Peter Brown

    Explore the myriad possibilities of versatile lino on this comprehensive course. Illustrative or abstract, mono or multiblock, your project will develop from a strong basis of drawing. You will be encouraged to experiment at every stage as you develop your own creative approach to produce original prints. Peter is a printmaker with a background in...

  • Wood Engraving Weekend with Anne Desmet RA

    10am – 4pm On this two day course, you will learn the art of wood engraving from a recognised expert in the field. As well as fine line engraving on a variety of end-grain woods using a wide range of bespoke tools, Anne will teach hand burnishing on Japanese papers, printing with a press, and...

  • 3–day Etching course with Jason Hicklin

    10am–4pm This 3-day course is a hands-on experience, working with the three major etching, intaglio processes of hard ground, soft ground and aquatint. Working on existing plates is encouraged along with working on new plates and taking these plates through to the finished print on paper. Beginner – intermediate course All materials provided Max. 8...

  • Wood Engraving Masterclass with Anne Desmet RA

    On this two–day course, you will learn the art of wood engraving from recognised expert, Anne Desmet RA. As well as fine-line engraving on a variety of end-grain woods using a wide range of bespoke tools, Anne will teach hand burnishing on Japanese papers, printing with a press, and will introduce the creative possibilities of...