John Constable

An image of the drawing of John Constable by Tom Herbert Maguire.
T.H. Maguire after D. Gardner. John Constable, c. 1837–40. ©Royal Academy of Arts, London

John Constable RA (1776–1837) transformed landscape painting in the nineteenth century.

He grew up in East Bergholt, the son of a wealthy miller and corn merchant operating on the river Stour at Flatford. In 1799, Constable enrolled at the Royal Academy Schools in London. The R.A. chiefly advocated history painting, but like his predecessor Gainsborough, Constable was far more interested in painting the natural landscape, ‘pure and unaffected’.

He mainly painted the countryside around the villages of East Bergholt, Flatford, Dedham, Stratford St Mary and Langham, but is also famous for his depictions of Salisbury and Hampstead. They were places of great personal significance to him. Between 1819 and 1825 Constable exhibited several ‘six-footer’ landscapes, most famously The Haywain (The National Gallery, London) and The Leaping Horse (The Royal Academy of Arts, London). It was not only their scale which broke with convention, but also the rough, impressionistic way in which they were painted and the depiction of commercial activity on the Stour.

Constable at Gainsborough’s House

Constable greatly admired Gainsborough and no doubt saw himself as following in his footsteps. The plaster model of a horse by Gainsborough that he owned is currently on long-term loan to Gainsborough’s House from the Constable family, along with other artworks, artefacts and correspondence relating to Constable. Search the Collection online here.