Explore printmaking possibilities with multiple inks and no ink. Make subtle prints without ink created by light and shade with lino and collagraph. Print two colour viscosity prints with lino, drypoint and collagraphs. Create collagraph prints with 3 different viscosity inks to produce multicoloured images. Refresh and extend skills and use development time to further...
This workshop explores all aspects of intaglio etching, including softground, hardground and sugarlift aquatint. Jason fosters creative results and professional practice. Several techniques taught on the course are similar to those used by Thomas Gainsborough. Jason Hicklin creates beautiful atmospheric etchings based on the British landscape and is an enthusiast for all aspects of etching....
Lithography is often thought of as the closest printmaking technique to painting and drawing because of its direct mark-making. Working on stone, zinc plate or aluminium photo plate, the technique is taught in easy to follow stages. Students are able to work on several images during the course using their own reference. Colin Gale directs...
Three into one makes an image. Learn all about three very special print making techniques; Carborundum, Chine Collé and Collagraph. The course conveys ‘Omne Trium Perfectum’, three techniques that perfectly express creative ideas. Exploring a rich choice of texture, colour, layered structures and their registration, we use studio friendly products, processes and practice on this...
Explore screen printing with photo stencils. Work on different scales and surfaces and enjoy colour, text and image. Create an exciting visual language with mark making and layering. These techniques are compatible with digital processes and are rapid, safe and fun to use. Annabel Ridley studied at St. Martin’s and Camberwell Schools of Art. Her...
Screenprinting is a most versatile and expressive printmaking technique and offers exciting opportunities for colour work. Michael does not use photographic methods, instead he specialises in working directly on screens, using his superb sketchbooks as reference. He encourages a painterly approach and demonstrates a wealth of mark-making techniques. Michael Carlo has run highly successful courses...
Learn the art of wood engraving from a recognised expert in the field. As well as fine line engraving on end-grain boxwood, Anne will show hand burnishing on Japanese papers, printing with a press and the creative possibilities of collage using wood engraved prints and unusual printed papers. Anne is a specialist in wood engravings,...
A workshop looking at the possibilities of found objects in print. Explore and experiment with Monotype, Photopolymer and Hybrid printmaking. Take unique Monotype through to a Photopolymer plate, a safe, light sensitive medium enabling both relief and intaglio from your monotypes, to create editions. A broad spectrum of technical possibilities, with plenty of scope for...
This course is now fully booked. Reserves only Exploring all aspects of intaglio etching, including softground, hardground, and sugarlift acquatint, Jason actively fosters creative results and professional practice in his popular workshop. Jason creates beautiful atmospheric etchings based on the British landscape and is an enthusiast for all aspects of etching. Trained at Central St...
Explore screen printing with photo stencils. Work on different scales and surfaces and enjoy colour, text and image. Create an exciting visual language with mark making and layering. These techniques are compatible with digital processes and are rapid, safe and fun to use. Annabel studied at St. Martin’s and Camberwell Schools of Art. Her own...
Lithography is often thought of as the closest printmaking technique to painting and drawing because of its direct mark-making. Working on stone, zinc plate or aluminium photo plate, the technique is taught in easy to follow stages. Students are able to work on several images during the course using their own reference. Colin directs the...
Explore the myriad possibilities of versatile lino on this comprehensive course. Illustrative or abstract, mono or multiblock, your project will develop from a strong basis of drawing. You will be encouraged to experiment at every stage as you develop your own creative approach to produce original prints. Peter is a printmaker with a background in...
